“Kung’s work speaks to a continued place for painting as an emotive experience, in this case centered in a resolution between the calm and chaotic.  A metaphor for a visual world that is currently overpowered by a proliferation of images and their outlets, painting today can maintain both a vital distance and a meaningful perceptivity via its own logic.”

– Erin Devine, curator & art critic

I work with an evolving vocabulary that is born out of memory, intuition, and our shared concrete and cultural environments. Recurring motifs of clouds and smoke recall my upbringing in Singapore where I lived in high-rises and windows opened onto views of the sky. They also remind me of incense smoke in Taoist temples that are filled with impenetrable dark shadows and colorful religious iconography. Inevitably, imprints from the pace of daily living find their way into the work.

In a process that is part discovery and part invention, hard-lined geometry and improvisational brushwork are applied in layers, modifying and obscuring earlier marks. Chance, doubt, and curiosity are interwoven into the work. Each gesture begets new trajectories that propel the work forward. Usually, a painting would sit for days before the next move can be intuited. This process continues until the work achieves an internal logic and a level of density that can stand up to repeated and prolonged viewing.

I find that works can accrue structure and meaning only through the application of time and full measures of attention.  Very often, the most satisfying pieces are those that end up in entirely unexpected places. A big allure of painting and making is finding places that I do not already know.