{"id":18,"date":"2023-04-12T18:00:49","date_gmt":"2023-04-12T18:00:49","guid":{"rendered":"https:\/\/kungcheekeong.com\/?page_id=18"},"modified":"2025-10-23T14:25:07","modified_gmt":"2025-10-23T14:25:07","slug":"cv","status":"publish","type":"page","link":"https:\/\/kungcheekeong.com\/index.php\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"

CV<\/strong><\/p>\n<\/div>

www.kungcheekeong.com
\nchee@kungcheekeong.com
\nb. Singapore
\nLives and works in McLean, Virginia<\/p>\n

Solo & Two-Person Exhibitions<\/strong><\/p>\n

– 2025
\nIntersection, Ridderhof Martin Gallery at the University of Mary Washington,
\nFredericksburg, VA
\n– 2023
\nIntersection, Cody Gallery, Arlington, VA
\nOpen Latitudes, Workhouse Arts Center, Lorton, VA
\n– 2019
\nEscape Velocity, Fred Schnider Gallery of Art, Arlington, VA
\n– 2018
\nOblique Horizons, Fisher Gallery at the Schlesinger Arts Center, Alexandria, VA
\n– 2017
\nTrajectories, Artists Circle Fine Art, North Potomac, MD
\n– 2016
\nLines\/Edges, Blackrock Center for the Arts, Germantown, MD
\nStructured Environments, the Gray Gallery, Winchester, VA
\n– 2015
\nAdjacent Amplitudes, Hillyer Art Space, Washington, DC<\/p>\n

Group Exhibitions<\/strong>
\n– 2025
\nArt Night 2K25, Washington Project for the Arts-Hickok Cole, Washington, DC
\nDC Art NOW 2025, DC Commission on the Arts & Humanities, Washington, DC
\nVibe\/Vibrance, Brentwood Arts Exchange, Brentwood, MD
\n– 2024
\nMid-Atlantic New Painting Biennial 2024, Ridderhof Martin Gallery & duPont Gallery
\nat the University of Mary Washington, Fredericksburg, VA
\nArt Night 2024, Washington Project for the Arts-Hickok Cole, Washington, DC
\nDC Art NOW 2024, DC Commission on the Arts & Humanities, Washington, DC
\nCollectors’ Night 2024, Washington Project for the Arts, Washington, DC
\n– 2023
\n(Not) Strictly Painting Biennial, McLean Project for the Arts, McLean, VA
\nArt Month 2023, Washington Project for the Arts-Hickok Cole, Washington, DC
\n– 2022
\nArt Month 2022, Washington Project for the Arts-Hickok Cole, Washington, DC
\nRenewal, Luther W. Brady Art Gallery, Washington, DC
\nCollectors’ Night 2022, Washington Project for the Arts, Washington, DC
\nWhat A Relief, the Phillips Collection, Washington, DC
\n– 2021
\n(Not) Strictly Painting Biennial, McLean Project for the Arts, McLean, VA
\n– 2020
\nDC Art NOW 2020, DC Commission on the Arts & Humanities, Washington, DC
\nBethesda Painting Awards, Bethesda Urban Partnership, Bethesda, MD
\nArt Month 2020, Washington Project for the Arts-Hickok Cole, Washington, DC
\nSculpture NOW 2020, Washington Sculptors Group-McLean Project for the Arts, McLean, VA
\nShift, McLean Project for the Arts, McLean, VA
\n– 2019
\nStrictly Painting Biennial, McLean Project for the Arts, McLean, VA
\nArt Night 2019, Washington Project for the Arts-Hickok Cole, Washington, DC
\nThe Transformative Power of the Written Word, Joan Hisaoka Healing Arts Gallery, Washington, DC
\nNight, Strathmore Galleries, Bethesda, MD
\n– 2018
\nPower Lines, American Center for Physics, College Park, MD
\nArt Night 2018, Washington Project for the Arts-Hickok Cole, Washington, DC
\nRecollection, Blackrock Center For The Arts, Germantown, MD
\nMarksmanship, Arts Barn, Gaithersburg, MD
\nMid-Atlantic New Painting Biennial, Ridderhof Martin Gallery at the University of Mary Washington, Fredericksburg, VA
\n– 2017
\nUlterior Perspective, the Barry Gallery at Marymount University, Arlington, VA
\nArt Night 2017, Washington Project for the Arts-Hickok Cole, Washington, DC
\nEmulsion 2017, East City Art, PEPCO Edison Place Gallery, Washington, DC
\nLa Vie en Bleu, Strathmore Galleries, Bethesda, MD
\n– 2016
\nMaking Sense: See,Smell,Hear,Taste,Touch, McLean Project for the Arts, McLean, VA
\nEmulsion 2016, East City Art, Gallery O on H, Washington, DC
\nMid-Atlantic New Painting Biennial, Ridderhof Martin Gallery
\nat the University of Mary Washington, Fredericksburg, VA
\n– 2015
\nThe Billboard Creative Q4 Show (Public Art), the Billboard Creative, Los Angeles, CA
\nMaterial\/Method: Contemporary Practices in Painting, the Gallery at NOVA, Woodbridge, VA
\nStrictly Painting Biennial, McLean Project for the Arts, McLean, VA
\nSometimes A Great Notion, School 33 Art Center, Baltimore, MD
\nNor’Easter, New Britain Museum of American Art, New Britain, CT
\nEmulsion, East City Art, Gallery O on H, Washington, DC
\n– 2014
\nTransformations: From One Thing To Another, McLean Project for the Arts, McLean, VA
\nEmergence 2014: International Artists To Watch, Galerie Myrtis, Baltimore, MD
\nArt Night 2014, Washington Project for the Arts-Hickok Cole, Washington, DC
\nWorks On Paper, (e)merge Art Fair, Washington, DC
\nMiniSolos, Touchstone Gallery, Washington, DC
\n– 2013
\nWorks On Paper, (e)merge Art Fair, Washington, DC<\/p>\n

Reviews & Awards<\/strong>
\n– 2025
\nArt Bank Acquisition Award, DC Commission on the Arts & Humanities, Washington, DC
\n– 2023
\nEast City Art, “East City Art Reviews: Intersection at Cody Gallery,” Phil Hutinet, 11 Dec 2023
\nWashington Post, “In the Galleries: A Trio of Exhibitions with Intersecting Themes,” Mark Jenkins, 8 Dec 2023
\n– 2022
\nBethesda Painting Awards (Semi-Finalist), Bethesda, MD
\nThe Trawick Prize (Semi-Finalist), Bethesda, MD
\nWashington Post, “In the Galleries: Restored Work Sparks a Sculptural Experience,” Mark Jenkins, 18 Nov 2022
\n– 2021
\nSun Gazette Newspapers, “New McLean Exhibition Puts Emphasis on Creativity,” Brian Trompeter, 28 Sep 2021
\n– 2020
\nWashington Post, “In the Galleries: Juried Competition Puts Regional Artists at Center Stage,” Mark Jenkins, 23 Oct 2020
\nArt Bank Acquisition Award, DC Commission on the Arts & Humanities, Washington, DC
\nBethesda Painting Awards (2nd Place), Bethesda Urban Partnership, Bethesda, MD
\n– 2019
\nWashington Post, “In the Galleries: At Strathmore, Artists Illuminate the Darkness,” Mark Jenkins, 8 Feb 2019
\nEast City Art, “East City Art Reviews: Strictly Painting 12 at McLean Project for the Arts,” Eric Hope, 8 July 2019
\nInterior Design Singapore (Edition 9, July 2019), “In the Eye of the Storm,” Singapore
\n– 2018
\nArt Bank Acquisition Award, DC Commission on the Arts & Humanities, Washington, DC
\nBethesda Painting Awards (Semi-Finalist), Bethesda, MD
\nMid-Atlantic New Painting Biennial (Merit Award), Ridderhof Martin Gallery, Fredericksburg, VA
\nMid-Atlantic New Painting Biennial (catalog), Ridderhof Martin Gallery, Fredericksburg, VA
\nTBC\/MAG (Issue 1, Dec 2018) by the Billboard Creative, Los Angeles, CA
\nThe Town Courier, “Making Their Marks,” MArylou Bono, 14 Jun 2018
\n– 2017
\nEmulsion 2017(catalog), East City Art, Washington, DC
\nWashington Post, “In the Galleries: Metaphase & Ulterior Perspective,” Mark Jenkins, 22 Nov 2017
\n– 2016
\nArt Bank Acquisition Award, DC Commission on the Arts & Humanities, Washington, DC
\nEmulsion 2016 (catalog), East City Art, Washington, DC
\nMid-Atlantic New Painting Biennial (catalog), Ridderhof Martin Gallery, Fredericksburg, VA
\nEast City Art, “East City Artnotes: Touchstone Gallery Exhibition Celebrates 40 Years in DC,” Eric Hope, 9 May 2016
\nCultureSpotMC, “Tornado Alley Rattles Through Blackrock,” Karen Schafer, 10 Aug 2016
\n– 2015
\nWashington Post, “In the Galleries: At Hillyer, a Universe of Change, Instability and Chaos,” Mark Jenkins, 18 Dec 2015
\nHuffington Post, “Our Best and Our Worst,” Edward Goldman, 8 Dec 2015
\nBaltimore City Paper, “Great Scott: Two Very Different Shows Put Together by Randall Scott,” Rebekah Kirkman & Baynard Woods, 3 Feb 2015
\nStrictly Painting Biennial (Juror’s Award), McLean Project for the Arts, McLean, VA
\nMaterial\/Method: Contemporary Practices in Painting (catalog), the Gallery at NOVA, Woodbridge, VA
\nEast City Art, Emulsion 2015 (catalog), Washington, DC
\n– 2014
\nEmergence 2014: International Artists To Watch (catalog), Galerie Myrtis, Baltimore, MD<\/p>\n

Collections<\/strong>
\nNational Museum of Singapore
\nDC Commission on the Arts & Humanities
\nRoyal Dutch Shell
\nCapital One
\nLululemon Athletica<\/p>\n

Education<\/strong>
\nM.R.E., Cornell University, Ithaca, NY.
\nB.Arch., University of Houston, Houston, TX<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kungcheekeong.com\/index.php\/wp-json\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kungcheekeong.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kungcheekeong.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kungcheekeong.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kungcheekeong.com\/index.php\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":12,"href":"https:\/\/kungcheekeong.com\/index.php\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":4167,"href":"https:\/\/kungcheekeong.com\/index.php\/wp-json\/wp\/v2\/pages\/18\/revisions\/4167"}],"wp:attachment":[{"href":"https:\/\/kungcheekeong.com\/index.php\/wp-json\/wp\/v2\/media?parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}